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Albino (part one)

I began writing Albino two million years ago. I had an editor then, who lived a few blocks away. We would meet for breakfast on Avenue A, quietly forking into home fries as we discussed the structure of the story - the economy of objects. A dollar bill was not just a dollar bill in this story, it was connected to thought and action, to music and transformation. This was the story that told me there was a whole book to dig into, mining for diamonds in the backwaters of America, turning over the ugliest rocks to better understand relationships between fathers and sons.

Last week, I stumbled across a call for submissions - not for a journal, but for a podcast where the work of new writers was read aloud. I thought back to a reading I had done of just the first few pages of Albino - a messy hero's journey,  a young man and a guitar, a man with loss and regret, a man that still had something to lose. That reading went well, enough that I felt a strange elation stepping off the stage i…

Rocco (please take a moment to vote for us before midnight Oct 22)

A few weeks ago I saw an invitation from Daniel Lanois, asking for filmmakers to create imagery for a handful of his newest songs. The films would be projected during live performances all over the world.

I chose the song Rocco, because it felt like breathing to me, and the concept came quickly. Windows, E' s face...

Today I was told that our film is one of the four selected by the judges, and they are looking for the votes and opinions of everyday people like you to help them understand what film is the best one.

Please visit http://fleshandmachine.com and by all means vote for our film (if you do think it is the best one.)


Comments

Rubye Jack said…
Your's is easily the best.
But, your post just now came into my reader in Oregon USA and it is now too late to vote.

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