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Albino (part one)

I began writing Albino two million years ago. I had an editor then, who lived a few blocks away. We would meet for breakfast on Avenue A, quietly forking into home fries as we discussed the structure of the story - the economy of objects. A dollar bill was not just a dollar bill in this story, it was connected to thought and action, to music and transformation. This was the story that told me there was a whole book to dig into, mining for diamonds in the backwaters of America, turning over the ugliest rocks to better understand relationships between fathers and sons.

Last week, I stumbled across a call for submissions - not for a journal, but for a podcast where the work of new writers was read aloud. I thought back to a reading I had done of just the first few pages of Albino - a messy hero's journey,  a young man and a guitar, a man with loss and regret, a man that still had something to lose. That reading went well, enough that I felt a strange elation stepping off the stage i…

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A woman sits on a scrap of cardboard on the cold, wet floor. Her head is wrapped in a scarf. A boy, not older than two teeters on short legs, hands stretching out as people pass. His tiny palms are filthy from the dirt and wet grime in this tunnel. I pass them, as I have countless times. She has new shoes. They have Chanel logos on them, and are crusted with rhinestones. The pink of the slippers is barely visible past the tiny sparkles.

She could be in her thirties or she could be barely twenty and I would not know the difference. She appears with different children on random days. It is entirely possible that none of them are hers. There are stories upon stories about gypsies renting children to panhandle with, and there is nothing to suggest they are untrue.

Her shoes are clean under the flickering fluorescent lights. The boy has toys spread across the wobbly stones, a tricycle, a pail, a shovel. It feels more like a messy living room than the way to cross beneath a six-lane street.




When I was a boy, about the same age as E my parents told me about my middle name. I did not know it before then. They also told me I should stop picking my nose. They told me I did not need to carry a dictionary to school every day. Then, they told me I was part gypsy. In truth, this was a fabrication. Maybe it was a bit of creative parenting that backfired. I began climbing on top of my school desk the next day, dancing in circles, spinning wildly as the other children looked on in fear and shock, and then bland encouragement.

I liked the idea of being part gypsy. It felt like a wild vein ran through me, a reckless one, a fierce and mysterious one. If I had some gypsy blood, then I could probably put a curse on someone. I remember thinking that, being the smallest kid in the class. I learned about the evil eye and how you had to be careful. If you used it on someone that was innocent, the eye reflected back on you. Whatever ills you wished on them would actually happen to you instead. I felt great power, and that I needed to use it wisely.

Later in life, I understood it was all fantasy, a joke on a gullible child with an active imagination. I felt less interesting after that, less special.

When I came to Moscow that very first time, there were gypsies on Red Square. Boys ran with no shoes on in the warm sun, blurting a few words of English to me, hands always outstretched. They never walked, always ran. No one was giving them money. The policemen ignored them.


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