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running away with the circus (looking for dolphins)

There are three of them, a brazen woman with bright eyes and a big voice, a man going grey with a hop in his step and a younger woman who might be their daughter or their niece that twists her short hair into little tufts. They roam the hotel, sometimes in elaborate costumes, letting us know that there will be a secret dance party near the ballroom in an hour.

The older woman strolls in during dinner in a costume of blinking Christmas lights and exotic face paint. V stares up at her, convinced she is a princess or a fairy or maybe both. The next night, she is all in black, great horns wobbling on her head. She always has a pair of black Converse high tops on, as if they go with every costume or maybe they are the only shoes she owns.

The man is typically dressed as a pirate, in a striped shirt, maybe an eye patch. He is perfectly relaxed, like his limbs are made of silly straws. The younger woman is always smiling, her mouth a wall of metal braces and lip gloss. I imagine they sleep …

imaginary places


It is an act only a New Yorker can be offended by. Anyone else would dismiss it as it happened. There are only so many hours in the day, and so much injustice a person can note, rehash, testify to and eventually absorb. There may just be a razor's edge that defines a normal person from an obsessive New Yorker, or that edge may be a mile wide. I don't know anymore. There are no tools to measure imaginary spaces. There is just the cold Moscow winter, the snow littered with shit and piss many feet deep, in long grey drifts that snake around cars and streets as far as the eye can see.

The life of an expat becomes a surrender measured out over time. You lose contact with acquaintances from back home. You become invisible to many people, transplanted in a land where no one sees you.  You become a ghost, a phantom shadow that does not recognize its face in the mirror. The past is so far away, it becomes someone else's past. A stranger's life two times over. But in this vacuum, this limbo  - there is a possibility to reinvent. You can shed a skin, and paint a new face in its place. You can laugh at the wind, or take up stamp collecting. You can walk in the street and take comfort in your anonymity.

There are bitter pills to swallow, those headlines from the place you come from. They go down easier from a distance. They become a bad movie on a dark screen. You can walk out into the lobby, buy some candies, suck on a fountain soda, and stare out at the street. It is raining, and the cars are sloshing their way through intersections while people share umbrellas and run into cafes to dry off, or fall in love, or argue, or make love or go to get their kids from school. It all happens in these imaginary places.



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