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the long way around

The living room is a forest of mic stands and cables. A cup of coffee, a large glass of water and a shallow shot of whiskey sit on the tiny white table. I alternate between them, making sure the guitar is in tune, trying to understand if the chair will creak when I lean my head back on the second chorus.  There is a hush in the room. I can hear my own heartbeat. The lyrics are printed out on a fresh piece of paper, large and thick so I can read them easily even though I sing with my eyes closed and will surely forget a handful of words no matter what I do.

The guitar sounds dry, perfect - even honest. I can play a simple D chord with a long strum, or the side of my thumb and it sounds so different. I record a few takes, barefoot in the bright room. I am going too fast in some parts, and my fingers are already sore from the chord changes.

And then all at once, I am thinking of a show I played in an old factory in Brooklyn, way back when I had just started writing songs almost twenty y…

make you feel my love

E does not want to sing any more. I wonder if this is a case of becoming her own worst enemy, a trait she might have inherited from me. We do try a few songs at the kitchen table, but her heart is not in it. She would rather play piano, but she refuses to do anything in time so it is very hard to play together. She is simply on her own course. I decide to step out of the way, and let things unfold. My regret has been noted, and I sit down to sing all by myself this time, while she watches one of her tv shows in the next room, curled on her bed.

Later, she agrees to stand in the cold showing some words on cards. I show her the original Dylan clip. She nods, as if she knew about it already, a piece of old news.








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