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there is always something (why I shoot film)

There are maybe ten shots left on the roll. Outside the metro, a collection of pigeons sit on minuscule ledges above two old men. They talk as all old men do, with operatic waves of their hands, sour expressions, belly laughs, eventually scratching their chins as they stare off at nothing in particular. I am pretending to take pictures of something near them, then swing across when they are not looking to shoot a few frames. At one point I surrender to the afternoon and move on.

And now, the courtyard that leads to the film lab. A great old building rests here, a school of architecture where students mill around dressed in black sucking on cigarettes with giant portfolios tucked under their arms. A young man approaches me. I am ready to tell him I have no idea what he is saying, but he wants to know where the film lab is. I jut my chin, telling him the door is just beyond a few bushes. He nods his thanks.

There are screens set up in a jagged line, sheathed in filthy white plastic to …

threading the needle (the birds)


That familiar feeling washes over the morning  - of being pulled in opposite directions. At one end, the petty, twisted mechanisms we cross paths with in life, the foul, grotesque result of miserable people trying to make sure everyone they encounter feels the same as them. It is a form of narcissism, this selfish cloud. It is hard to outrun a cloud, sometimes. At the other end is a tiny creature, a growing ball of new smiles, hands outstretched, eyes that grow curious, an enduring stare that does not blink. This little person that was not here a few months ago, at the center of our rhythms, guided by her ability to sleep, to be bathed, to poop, to eat.

I never forgot the clock I call baby time. Every time I wake E up, I think of those mornings we spent when she was the same pale-skinned lump of needs and big eyes. I think of walking around with her late at night, singing Desmond Dekker songs because that was what brought her peace.

We never forget those times, but there is nothing like doing it all again.

Now, I am walking with V in the stroller and she is not sleeping. She needs to. She wants to. Every curve of the path, every pebble is an obstacle. Will she thread the needle, and close her eyes? I look for noisy children and steer away from them. Out of nowhere two men with a chainsaw appear and I veer into the opposite direction before the throaty cough of the machine begins, and the buzzing into tree limbs brings her back to eyes fully open.

Those petty people, they are not here now. Their shadow cannot reach so far into this leafy suburb. I can only focus on the way V's hands jump around, finding a Michelangelo pose, one pinky frozen in the air as her eyes do surrender to this smooth asphalt, the chirping of at least two different kinds of birds, the smell of fresh cut grass, the low wet splash of a few leftover rain puddles.





Comments

marvelous, again. and always in that magical sense of the word, Marco!
liv said…
Ahhh, run away with them, bring them home and kiss them both for me.

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