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Albino (part one)

I began writing Albino two million years ago. I had an editor then, who lived a few blocks away. We would meet for breakfast on Avenue A, quietly forking into home fries as we discussed the structure of the story - the economy of objects. A dollar bill was not just a dollar bill in this story, it was connected to thought and action, to music and transformation. This was the story that told me there was a whole book to dig into, mining for diamonds in the backwaters of America, turning over the ugliest rocks to better understand relationships between fathers and sons.

Last week, I stumbled across a call for submissions - not for a journal, but for a podcast where the work of new writers was read aloud. I thought back to a reading I had done of just the first few pages of Albino - a messy hero's journey,  a young man and a guitar, a man with loss and regret, a man that still had something to lose. That reading went well, enough that I felt a strange elation stepping off the stage i…

the in-between moment



E's new snow pants make whisking sounds in the darkness as we walk the few blocks to the marshrutka stop. These little buses weave through the lesser known parts of the city on marshrut (routes), connecting old women and men without cars to metro stations. They do not charge me for E most of the time. Some drivers look eternally angry, miserable. One smiles at us, even says "dobrei utram" (good morning) and the more familiar goodbye "shastliva" (happiness).

Today she slumps against me once we are inside, cheek against my arm. Often the lights are bright, like an arena inside the little bus but today they are dimmed. I do not have to pull my hat down over my eyes to drift halfway back asleep for the fifteen minutes it takes.

Outside, Kievskaya stands cold and grey. The shopping center is buzzing with colored neon and giant blinking commercials on screens, all shouting for attention with the sound turned off. The ground is crisp from last night's frost. It crunches quietly under our boots. People are smoking cigarettes everywhere, sucking hard before going inside to work.

The streetlights are blinking off just as the sky is just starting to move towards dawn. This is the in-between moment, not here not there, not asleep not awake, not at school not at home. There are no pickle jars full of cigarette butts falling from balconies. There are no people pulling cars fast around corners to jump away from. The streetlights are working. The fountains are off, their empty bottoms littered with dry leaves.

Winter is here, but not here.

The news channels scream stories that are meant to sow fear, each headline more convincing than the next. There are wars going on. Soldiers are coming home in body bags. Somehow, life seems exactly the same. Old women shove at each other at a farmer's market on a Sunday afternoon. One says she was next in line to buy a cheap pumpkin. Another says, "No I am next". The first says "You c*nt! I am next." Then there is a swatting of hands, even some kicking. All over who is next on a warm Sunday afternoon, safe and quiet under tall trees.

I will never understand what motivates people here to get angry at one moment, and what brings them to swallow their feelings at another. Wrong is wrong.

I head home, alone on the marshrutka not closing my eyes, watching the river and the bridges swish past the windows. The sky is brighter now, a dull flat nothing.








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