the princess and Potempkin

October 04, 2021

somewhere over the rainbow (and other stories)

Exactly two years ago I found myself flying through a corner of a rainbow, and landed in Oaxaca, Mexico. It was the last film festival I traveled to, a brutal and sweet experience in the harshest of realities, trying to wrap my arms around the slipperiest industry and failing magnificently. Surrounded by fresh faces and eager eyes I ran from the rooms and into the street time and again, wandering off with the camera in my bag as a companion. I took pictures of a blind man that sang on the same corner every day, of wedding parades, of an old woman waiting to see the dentist. Literally somewhere over the rainbow, I met the ugliest answers to questions I had been dragging my feet towards for years. Cramming the most delicious food into my mouth, joking at the nightly rooftop cocktail parties, grinning like the Cheshire Cat it was all coming to an end. Actually, it had ended before it even started though - and on the plane back to New York and finally Moscow the bone-crunching undertow

I don't know when the windows changed. I had grown to ignore the velvet displays, empty in the early morning when I walked E to school. In the afternoon, yes there were diamonds blinking in the shadows. I never saw people going into the Princess jewelry store. There was a plaque on the corner of the building, reminding any passerby that Eduard Tisse had been born there, the cameraman for Eisenstein on films like Strike, and the Battleship Potemkin. Sometimes I wondered if anyone in the street knew who he was besides me. On this stretch of sidewalk there are mothers with babies in strollers, old women carrying plastic bags of groceries, workers who plant flowers.

Now, the windows are covered with images of a woman wearing nothing but diamonds. She stares at the empty street, and traffic. Eyes painted, lips pouting, blond hair curving and frozen under layers of hairspray her eyes never blink. I wonder if the store does not have enough diamonds to display in the windows now. I wonder if she is the trophy wife of the owner and this is some compliment he has paid her, the photo shoot, the stylists, her standing topless in nothing but jewels as the strobes flash.

A security guard stands behind the door, face close to the glass. I see his cheap shiny suit, his hands shoved in his pockets. He looks scared, angry, worried.