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there is always something (why I shoot film)

There are maybe ten shots left on the roll. Outside the metro, a collection of pigeons sit on minuscule ledges above two old men. They talk as all old men do, with operatic waves of their hands, sour expressions, belly laughs, eventually scratching their chins as they stare off at nothing in particular. I am pretending to take pictures of something near them, then swing across when they are not looking to shoot a few frames. At one point I surrender to the afternoon and move on.

And now, the courtyard that leads to the film lab. A great old building rests here, a school of architecture where students mill around dressed in black sucking on cigarettes with giant portfolios tucked under their arms. A young man approaches me. I am ready to tell him I have no idea what he is saying, but he wants to know where the film lab is. I jut my chin, telling him the door is just beyond a few bushes. He nods his thanks.

There are screens set up in a jagged line, sheathed in filthy white plastic to …

old farts and accordions

I pull E's hair into a fresh ponytail, realizing I have forgotten a comb. The room is cold. Other children sit with their hands folded in their laps, guitars propped up against the backs of chairs. The door swings open and Roman stomps into the room, waving his hands. 

We make our way through the dark hallway with the flickering florescent light and then into the miniature concert hall. An old man sits in a chair in front of the stage, a haphazard collection of medals dangling from his blue suit jacket. His eyes are wet. A woman takes flash photographs of him as he looks half asleep then suddenly waves one giant, rough hand in the air until an old woman joins him. There are a few more pictures.

Everyone sits. The man and the old woman are right in front of us. I stare at her thin silver hair, wetted down and pulled across the back of her head. The pink skin of her scalp shines beneath it. He leans to one side and produces a long, quiet fart. E turns to look at me, half annoyed, half amused.

A girl plays piano first. There is light applause as she finishes.

Next, a boy with a giant red accordion. He plays methodically, chin nodding in tempo. At one point he gets lost, and replays a section, then stops. He starts again, fighting the clicking keys. He stops once more, a long pause. The old man whispers something to the old woman. He repeats it, louder. The boy tries once more and erupts in tears, leaping from the stage with the accordion thumping against his chest. He goes straight out the door. Everyone claps, making sweet noises, sympathetic words jumping from mouths but he is already gone.
"They were clapping a lot to make him feel better." E whispers to me.
I nod.
"But maybe he thought they were clapping to be mean." She adds.
"Then he is very silly." I whisper back.
She nods, wrinkling her nose up and pointing at the old man.
I roll my eyes and she tries not to laugh too loud.

A boy plays the flute and then it is E's turn.

She plays fine, not as loud as she could, hesitating just once. She bows with her chin to her chest and skips back to her seat.

The old man is whispering louder and louder. I think the old woman cannot hear him, even when his mouth is right next to her ear. The fidgeting room disintegrates into people talking on phones in low voices.






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