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(looking for) the heartbreaker

It has been more than two months sitting at the little white table in the living room, writing. Pushing out pages, fixing these pages, living with these pages then waking up and chewing them apart again, then adding on a new section. It is a mill, grinding the raw ideas down to a fine powder that may somehow rise and become bread. Or it may not. So many thoughts begin with "what if". What if they get stuck in an old elevator? What if she is not home when they come the first time? What if she is coming back from the market and passes them on the stairs? What if the driver is older? Or younger? What if his brother shows up instead? The questions are greater than the results on the page, the dialogue is whittled down to nubs of something recognizable.

There are cold cups of coffee, emails that go unanswered. The light comes and goes, and most of the work is done in the dark in more ways than one. Cooking dinner helps. Playing some guitar helps. If you are not careful you forge…

this is the day


This is the day. The epic banging downstairs has subsided, appearing randomly at no earlier that 6 at night when it does. There is no good explanation for why I restrung the old guitar today, and then the new one. I am almost drunk on the smell of their cases, like a museum of good intentions - here are scraps of paper with old lyrics on them, a spare cable, a phone number from a show three years ago. I have been writing these songs for over a year now, and today is the day the good microphone went on a stand.

That is how things happen - when you least expect them.

It is a fairly terrifying moment.

I think we all like to say "we need to get out of our comfort zones" which mostly means something like bungee jumping, or getting a new haircut. The idea of singing the confessions of a bunch of imaginary people feels like walking a tightrope with no net. Seeing it done well does not give me any false confidence. It just makes me respect those brave souls that shoulder a guitar and let the words tumble out. It may be one of the greatest magic tricks.

The living room is a growing forest of stands and cables. I am digging in old boxes looking for adapters, for finger slides. There are so many memories crammed into the backs of these drawers. I have been preparing for this moment for years actually, long before I even started on these songs. They say it takes half of your life to write your first album and then you only get a year or two to write your second one. I find myself laughing, already way ahead of myself, already seeing the footsteps in the sand leading to the ocean, the jangled nerves of the journey, the storm, the smell of salt and sweat, but most of all the open cases.




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