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molecules and potholes

There is a rift between daily life, and the news that trickles across. In our little bubble, this quiet neighborhood, the price of a bouquet of roses does not change. The eggs are painted in shit and feathers, but taste the same. The little fresh market works on the weekends again, now that the weather is not terrible. Here, they sell overpriced red onions, stalks of broccoli, maybe some green basil if we are lucky.  The potholes sit  half-full with murky water. New buildings grow slowly as construction workers stare into the horizon on cigarette breaks. None of this changes, not a molecule.

But the rest of world is upside-down. Wild laws are passed. Prime ministers become dictators. Bombs are dropped here and there, like rainbow sprinkles on a doughnut - the more the better. Great decisions are made over dessert now, fueled by whim.

Being an expat means more than living far from home. There are many distances to bridge each day, and in times like this I want to throw my hands wild i…

an early Sunday morning

In the darkness, I see a broken piano by the front door. It stands half-ripped open, naked, crooked. The snow is piling up around its feet. I shrug off a shiver, and bring the equipment to the car. Alexander is waiting, and we have to drive for a few hours.

The ride is mostly silent, the actor Egor in the back seat. We make small talk. The camera rests on my lap and sometimes I yank it up to the window, shooting the dark, blurry landscape as it swishes past us. Slender trees, heaves of blue snow, clouds in the distance, the little dots of light that are houses, people surely sleeping there under warm blankets.

We turn onto a small road as the sky grows bright. There are airplanes covered in cloth, straps flapping around in a steep wind. Out of the car, stretching our legs I am ready to shoot an arrival shot, a shoe leather shot as they used to be called.




The morning goes quickly. Egor has good instincts. The location is perfect, all soft light and tender corners. I take a deep breath and let it out, packing up the camera. I call home. Everyone is just waking up.

It is good to get out of the city, I tell myself. The nerves, the fury, the desperation that I did not know were in my blood - they are vented now, drifting off into that giant white sky. Head lowered, we walk and chew an endless gristle without even knowing it.








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