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the first

The yarmarka (farmer's market) is about to close. Some of the people are already packing up, offering their last bruised tomatoes at half-price to anyone walking past them.  I am wandering, staring at bunches of herbs, at the same old options - cabbage, pepper, potato, garlic, apple, cucumber. But then I see a pile of peas. The season must have come early this year. I buy a kilo, and some mint. I know what is for dinner. We have not had it in eleven months.

At home, I rip the bag open, showing them to V. She stands by the kitchen table, eyes wide. I crack one open, showing her the little rounds inside. She plucks one out, her pinky pointing to the ceiling.
"Try it." I tell her.
She does, but she does not like it.

I pull out a bowl for them. She jumps up and down a few times. V always wants to help in the kitchen. I pull her to my lap, and we begin pulling them out from the shells. She learns quickly, tossing them with a flourish into the bowl, a few cascading to the flo…

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There are pockets, absences. In them, histories are hidden, memories stamped down under dry earth. There are episodes that have never been shared, fights and screams never repeated. I carry them in silence for a number of reasons. Some things are forced into shadow by warped law and influence. Freedom of speech is a privilege, and a vulnerable one. Some are edited by choice. Some are edited by necessity. The result is the same - an incomplete picture, a book missing pages, a song missing a second verse. 

There are dogeared boxes of papers that are too painful, too embarrassing too forgotten to yank from shelves, the smell of yellowing paper, the hot pang of failure on them. I cannot throw them away just yet, but plan to. Maybe I save some of them for E, scraps of evidence from a life she was too young to commit to memory, a life of wild-eyed desperation and daily drama. I don't know what she will do with them, but maybe they are for her to destroy, not me.

The past and present are both obscured, hidden behind drapes, unspoken. 

So much goes unsaid, I wonder what good it is to speak at times, to be play along with such lies, such deceptions, such over-simple truths. I used to get excited about theories about where truth exists, in hidden spaces between the known and the unknown - the gaps, the lines scribbled out of love letters. They were theories that inspired years of work, but only now do I understand the price paid for experiencing them first hand. To be mute is a prison I could never have imagined, a punishment that bites into fresh skin every day.

Comments

invisible woman said…
In honour of the burden of your silence, I shall leave you here a silent comment...
oldswimmer said…
save them for E!
Breathtaking. Again.

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