Skip to main content

Featured

Hey, Lyosha

There are prison tattoos on the backs of his hands. Faded, blotchy shapes and a finger that jabs at a phone. "Hey, Lyosha!" He shouts, as every face on the bus swings to him. There is no answer, no voice on the other side. "Lyosha." He says again, then stares angrily out the windows. I step on someone's foot by accident, apologizing quickly. The young man waves his hand as if to say I did not need to say anything. The man with the tattoos sips from a giant cup of soda from KFC that is balanced on the empty seat next to him.

We pass a hotel we used to live next to, where expensive escorts are ferried in and out like yachts in a harbor. There is a fresh line of flags snapping in a low wind, and an American one is curiously absent. Plenty of the businessmen behind those windows are from the states.

The man brandishes the phone and hands it to the young man in front of me. I did not see that one coming. The young man wipes invisible dust from it, a reserved frown …

trespasses


One of the two elevators is broken again. The floor peeks out, half-way up the doors that are cracked apart.  A light dangles from a hook. A man's dirty hands are scratching around. There is a screwdriver on the floor next to me. I see it, passing it to him without even seeing his face. He mumbles a thank you. The doors to the other elevator bang open, and I step inside.

Upstairs, I think of this scene. The doors apart, the slice of light that plays around. I think to load my camera with a fresh roll of film and go back downstairs. The film is cold, tucked into a bag in the corner of the fridge. It needs to come to room temperature before I put it into the camera or moisture might condense on it.

The roll stands on the edge of the kitchen table. I clean the camera, blow air inside it and behind the lens. I turn it over in my hands, and then the canister is warm enough and I load it. At the same time, I understand I cannot take this picture. If the man sees me, he might be furious. Documenting anyone working here, it is something a spy does, or better said - an informant. The shot is not worth it. The risk is too great. The country seems to be built on trespasses. So much is forbidden. Even the gravestones in cemeteries have little fences around them.

Then, I decide to take the elevator to the second floor, not the first and maybe I can take the picture from there and never be noticed. I pull on a black trench coat. The camera hides under my armpit.

Downstairs, I peer into the darkness of the first floor. The doors are closed. He is already gone.



Comments

Popular Posts

best personal blogs
best personal blogs