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Albino (part one)

I began writing Albino two million years ago. I had an editor then, who lived a few blocks away. We would meet for breakfast on Avenue A, quietly forking into home fries as we discussed the structure of the story - the economy of objects. A dollar bill was not just a dollar bill in this story, it was connected to thought and action, to music and transformation. This was the story that told me there was a whole book to dig into, mining for diamonds in the backwaters of America, turning over the ugliest rocks to better understand relationships between fathers and sons.

Last week, I stumbled across a call for submissions - not for a journal, but for a podcast where the work of new writers was read aloud. I thought back to a reading I had done of just the first few pages of Albino - a messy hero's journey,  a young man and a guitar, a man with loss and regret, a man that still had something to lose. That reading went well, enough that I felt a strange elation stepping off the stage i…

babel


The door to a shed yawns open, empty inside. It stays this way when it rains, when the sky is crammed with clouds. I check every time I pass it. There were some plastic bins in the grass that someone took, tossed aside like a child's toys. A man hole cover rests, a crescent shadow on one side that leads down beneath the street, maybe to wires, maybe to pipes or maybe to nothing.

A pile of bricks stand, a makeshift babel, a marker. Is a family pet buried here? Is this just a balancing act? I take pictures of it once, and then again. The weeds are growing tall here. It is a minor miracle, that no one has knocked it down. Not even the fresh hurricane that swept through the city last week could topple it. Black clouds swirling above buildings like a comic book's last act, rain smacking against windows, streets flooding and these bricks remain.

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