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the long way around

The living room is a forest of mic stands and cables. A cup of coffee, a large glass of water and a shallow shot of whiskey sit on the tiny white table. I alternate between them, making sure the guitar is in tune, trying to understand if the chair will creak when I lean my head back on the second chorus.  There is a hush in the room. I can hear my own heartbeat. The lyrics are printed out on a fresh piece of paper, large and thick so I can read them easily even though I sing with my eyes closed and will surely forget a handful of words no matter what I do.

The guitar sounds dry, perfect - even honest. I can play a simple D chord with a long strum, or the side of my thumb and it sounds so different. I record a few takes, barefoot in the bright room. I am going too fast in some parts, and my fingers are already sore from the chord changes.

And then all at once, I am thinking of a show I played in an old factory in Brooklyn, way back when I had just started writing songs almost twenty y…

babel


The door to a shed yawns open, empty inside. It stays this way when it rains, when the sky is crammed with clouds. I check every time I pass it. There were some plastic bins in the grass that someone took, tossed aside like a child's toys. A man hole cover rests, a crescent shadow on one side that leads down beneath the street, maybe to wires, maybe to pipes or maybe to nothing.

A pile of bricks stand, a makeshift babel, a marker. Is a family pet buried here? Is this just a balancing act? I take pictures of it once, and then again. The weeds are growing tall here. It is a minor miracle, that no one has knocked it down. Not even the fresh hurricane that swept through the city last week could topple it. Black clouds swirling above buildings like a comic book's last act, rain smacking against windows, streets flooding and these bricks remain.

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