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Not me, her

In 1987, I found myself trying to write about a high school girlfriend that had been molested by her father when she was a child. I was 19 years old, struggling to find my way through a screenwriting assignment about delivering character. The idea was to describe messy young love between two Sid and Nancy want-to-be's. But that failed, as I could not stomach oversimplifying her complicated past, events that shaped her life as a 16 year old with a mohawk, a smart mouth, a lingering stare. I understood that I had to start at the very beginning.

No one wanted to hear the story. When it was my turn to read in class, it even came to be that some of the other students asked to stand in the hallway before they heard another description of what happened in that lonely little house in the middle of nowhere. I was trying, and failing, and trying again to get things right, to explain how this happened, how it could happen to this girl, how this man found his way to acts of selfishness and d…

Queen Lubov


It is almost three in the morning. The computer hums, chugging away. I am refining a greenscreen matte, coaxing the edge until it disappears, until the character meshes with the scene as if they are just one story.  In this episode, animated snow is falling in great drifting loops. A giant woman stands above the buildings, looking down on the city with a mysterious expression on her face. It is not the first time I have cast Sasha as an enigmatic femme fatale. She makes playing Lubov look all too easy, strutting in heels, tilting her chin up, flipping her hair.

I reach the end of the sequence, and a satisfied hush takes over the room. I sip some cold amaro, bitter and cold and syrupy. Sleep comes quickly.

The next day, there are planes flying low above the clouds. They are seeding, dumping chemicals to keep it from raining on the parades tomorrow - the 9th of May, when the Russians defeated the Nazis in the "great patriotic war". Victory day, complete with tanks and uniforms, jets shrieking overhead, music pounding, crowds waving flags, children hoisted on shoulders.

But now snow begins to fall outside the windows, and I think of the snow I watched all night in the computer, making the flakes bigger or smaller, disappearing when they got too close, slowing them down, wafting them from side to side. Here, they are real, outside the balcony and soon they are falling in great uncontrollable splotches, dark clumps flying past the kitchen as I warm up leftovers and make couscous. E is laughing, playing Christmas music and cracking jokes to her friends.

I watch the snow falling, somehow the best tv show ever. Trees green and wet are bending in the wind. The windows fog up. Drops slide past me, slow wet trickles that fall nine stories onto parked cars and those fresh stripes of paint on the road. This is Spring in Moscow, more surreal than any imagination.




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