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the first

The yarmarka (farmer's market) is about to close. Some of the people are already packing up, offering their last bruised tomatoes at half-price to anyone walking past them.  I am wandering, staring at bunches of herbs, at the same old options - cabbage, pepper, potato, garlic, apple, cucumber. But then I see a pile of peas. The season must have come early this year. I buy a kilo, and some mint. I know what is for dinner. We have not had it in eleven months.

At home, I rip the bag open, showing them to V. She stands by the kitchen table, eyes wide. I crack one open, showing her the little rounds inside. She plucks one out, her pinky pointing to the ceiling.
"Try it." I tell her.
She does, but she does not like it.

I pull out a bowl for them. She jumps up and down a few times. V always wants to help in the kitchen. I pull her to my lap, and we begin pulling them out from the shells. She learns quickly, tossing them with a flourish into the bowl, a few cascading to the flo…

closely watched trains



On a Sunday afternoon, we decide to take the metro to the film lab. The nearest station is being renovated, so we wander the tunnels beneath the street that lead us to a different entrance. Everything is new here, and they scan our bags.
"It's like we are in the airport or something." E gripes.

I decide to follow the flow of people down the nearest stairs only to understand that this is not the station it used to be. There are a string of stops listed I have never heard of, and trains that are shiny red beasts wheezing in and out of the platform in near silence. This could easily be some kind of recurring dream, when I have to walk on stage naked without knowing my lines now.

But then I understand this is the new line people told me about. I stare at the map until it all makes sense. We take the next train as it arrives, eyeing a giant gap between the car and the platform big enough for a dog or a child to fall through. The seats are soft and blue. Everything smells of fresh plastic. People speak in hushed voices. The station is crawling with police.

It will be eight stops until we get off.
"This is just weird, too weird." E announces,  over and over.

The neighborhoods flit by, nondescript streets where maybe nothing ever happens. No protests, no car crashes, no weddings, no funerals. There are old buildings in the distance, like giant bricks that people live in as they slowly crumble. There is construction, stations with names like Zorgi. Everything somehow looks harmless from the blue seats. Modern, without emotion, no gristle of Soviet design. There are recycling bins on the platforms, in shiny colors. But no one recycles here, and there is one place for all of the garbage to go. This is just some clever propaganda, a photo opportunity, the sheen of civilization.

Families with children in strollers ride for a few stops and get off, their jean jackets and sneakers saying USA and Nike, Hugo Boss and Reebok. They have those same faces, sullen and withdrawn like the people on the metro.

And then we do get to the station, where we will change back to the old network of trains. A smell whips up to greet us, like rotting cotton candy. It is familiar. We will be there soon.








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