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Albino (part one)

I began writing Albino two million years ago. I had an editor then, who lived a few blocks away. We would meet for breakfast on Avenue A, quietly forking into home fries as we discussed the structure of the story - the economy of objects. A dollar bill was not just a dollar bill in this story, it was connected to thought and action, to music and transformation. This was the story that told me there was a whole book to dig into, mining for diamonds in the backwaters of America, turning over the ugliest rocks to better understand relationships between fathers and sons.

Last week, I stumbled across a call for submissions - not for a journal, but for a podcast where the work of new writers was read aloud. I thought back to a reading I had done of just the first few pages of Albino - a messy hero's journey,  a young man and a guitar, a man with loss and regret, a man that still had something to lose. That reading went well, enough that I felt a strange elation stepping off the stage i…

the faucet (drawing a line in the sand is not as easy as I thought it would be)

The walls seem to step back a few inches. All of those wishful thoughts, the daily bowl of optimism, the hesitated checking - they are shoved aside. I am a week into my first crowdfunding project, and all I can think about are the number of people killed last night in Baghdad. More than 140, the news says. Not soldiers, just innocent people. And in Turkey a few days ago, more of the same. It seems like such an awkward act, this waking up to send thoughtful notes, asking for help. They are grieving in Florida still. The twist inside, it never really unknots. 

Back across the ocean, I imagine people are standing around backyard grills, cold drinks in hand. There are pies. There are children laughing, playing in tall grass. Maybe there is a good breeze, maybe old friends not seen for a long time are there. There are grandparents, aunts, uncles, corn on the cob as yellow as the sun, great red tomatoes bursting with green seeds that pop in your mouth. I remember it all. I took all of that magical, everyday wonder for granted, never imagining I would be here for more than a month let alone years. 

This is our modern dilemma. Knowing all we know, at any moment we could be grieving or joking, smiling or sighing. It happens all at once, flashing wild and furious from that one big faucet. There are days when I can wrap my arms all the way around it, and days that I can't. 

Stories came to me long ago, about the people left behind, the survivors of tragedies. They have seen too much, and they want to do good, something worthwhile but there is no clear path. They care for their children, feeling damn lucky to be alive, still standing. They want to look at themselves in the mirror at the end of the day and not lower their eyes. The characters develop over time. One is having a birthday, in some empty mess of a city. Another is reluctant to admit they can still find joy in such a broken place. Their acts are mostly random ones. It feels like the very universe is just pulling at straws sometimes. This is what I want to make, with the help of friends and strangers. This is where I have drawn a line in the sand and said "help". 

E is wandering over to me, her face pale, her hair a blunt mess. She asks if I can take her temperature and sure enough, she has one. 

So the walls take one more step back, and the day is going to be about a giant bowl ready for her to throw up in, should it come to that. Another pot of chicken broth to make from the frozen bones I keep. More towels run under cold water to squeeze before resting on her forehead. More quiet walking around the rooms, listening to hear the sound of her sleeping without disturbing her.

















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