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secret windows (don't look back)

I found myself in a conversation with an old friend, about the crossroads of writing, nostalgia and memory. "Distance and perspective are the upside." I said. "The slippery slope is romanticizing and being nostalgic. Well, that's the memory trap no matter who you are."
"It's funny... I spent most of my life thinking that I had a rather dull adolescence, and it's only recently that I've discovered that these stories are a lot more interesting than I gave them credit." My friend replied. I admitted that I gravitate towards stories that are based on a mistake, a lie - thinking you had some great childhood, when actually it was a shitshow, and you fantasized about being adopted but sort of blocked that out.  


The question wobbled around inside my head for a few days. Was I too fast to judge nostalgia, to quick to brush aside its sweetness, stepping over it towards something invariably darker and sadder?  On Sunday, I was walking on Kutuzovsky,…

a visitor


I am in the living room, long dark with just the lamp and the light from the screens. The work goes well, and I am firing on most cylinders. I do not realize what time it is, just know there is laughter and tiny shouts from the kitchen, the gentle mayhem of the three women under our roof. I am obsessed over an edit, playing the sequence down staring close, leaning back, nudging one frame in, one frame out, alternating takes, overlapping sound. Maybe it is fine, but I have stared at it too long to really know that.

I ask myself what kind to music needs to come next. Something hesitating. I tap my fingers on the thick glass of the desk, thinking about how slow it should be. My stomach growls. I probably need to start dinner soon.

And then I look up and V is in the doorway to the living room, on her hands and knees. She has crawled all the way from the bedroom. Her chin is up, head titling back, staring at me with giant eyes N is hunched down behind her, holding her steady. V grins wildly, one of her sweet shrieks bouncing around the big room. I am outside myself. Suddenly standing and swooping down to pick her up, and then there is a stretch of time playing on the bed, stacking the rainbow rings on the yellow cone, putting toys on my head for her to retrieve and there is no thought in my mind, not of war, or the crumbling economy, not of racism or cops killing unarmed men, not of fake food or new diseases, not of warm oceans and dying fish. There is nothing but this bed, no looming elections, just the round face looking up at me, crawling, smashing headfirst into pillows and her muffled laughter.





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