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Albino (part one)

I began writing Albino two million years ago. I had an editor then, who lived a few blocks away. We would meet for breakfast on Avenue A, quietly forking into home fries as we discussed the structure of the story - the economy of objects. A dollar bill was not just a dollar bill in this story, it was connected to thought and action, to music and transformation. This was the story that told me there was a whole book to dig into, mining for diamonds in the backwaters of America, turning over the ugliest rocks to better understand relationships between fathers and sons.

Last week, I stumbled across a call for submissions - not for a journal, but for a podcast where the work of new writers was read aloud. I thought back to a reading I had done of just the first few pages of Albino - a messy hero's journey,  a young man and a guitar, a man with loss and regret, a man that still had something to lose. That reading went well, enough that I felt a strange elation stepping off the stage i…

pianos (a different life)




There is a strange hush over the neighborhood. Each overcast weekday feels like a misplaced Sunday morning. The ground wet, the leaves yellow and beginning to rot, the cars puttering through the puddles all become a little symphony. Old women carry plastic bags of carrots and potatoes. There are babies in muddy strollers, most of them asleep. 

The wind does not howl. The crows are still acting wild. barking in little packs in the tree tops.

There is a pile of pages, a towering stack of them, neatly lined up on my little white desk. The pen sits ready. A cup of good coffee is growing lukewarm. I have already begun to accept the new name of this book, Papa on the Moon. 

The door bell rings.

Typically it is a salesman, or shady looking people offering cheap internet service. I ignore the ring most of the time, and then tiptoe to the peephole, deciding if the silhouette in the hallway is dangerous or not. I rarely open the door anyway. Whatever it is, we don't need it.

The bell rings, over and over. I grit my teeth, and open the door. It is a policeman, his automatic rifle swinging from his neck. He is not so tall, his hat cocked loose on his head. He speaks quickly and I try to explain that I can only understand about half of what he is saying. "A man" he says over and over. And then our apartment number. I think he is saying the man is drunk and that he is our neighbor, or that he has a piano and he says I am playing the piano too loud, or maybe he is our landlord and he is drunk and says we have a piano. But there is no piano in our apartment.

I offer to call N, to get some translation but he shakes his head, waves his hand for me to follow him. I take my documents, lock the door. We go up a few floors in the narrow elevator. I cannot imagine what is going on now. There are paramedics in the stairwell, and another policeman. A man with black hair stands in the center of them. He could be from Azerbaijan, maybe Tajikistan. A plastic half-gallon jug of beer sits on the dirty tile floor at his feet. 

I begin to guess that the drunk guy said he was coming to see me. There are quick words. Obviously he has no idea who I am. The policemen tells me to forget it. They got the wrong apartment number I guess. The man with black hair wobbles on skinny legs and looks at me with giant sad eyes.

Back downstairs, I lock the door. sit back down, and stare at the pile of pages, these old stories from a different life.




Comments

liv said…
And you returned to cold coffee
A fresh cup is absolutely called for!

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