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every other man

The light outside the main entrance to our building has gone out again. The heavy metal door swings wide as I pull a hat down over my ears. In the darkness there are maybe twenty teenagers standing still. My boot scrapes across the ground, slowing down. Their hands in pockets, shoulders hunched, I look for a space to pass between them. A voice appears, saying hello in English, with an obvious accent. I am all instinct, sayingpivyet as I pass, not looking back, wondering who said this. There was a boy that was an extra in Blackbetty that lives in our building, but he is too young, too short for it to have been him.

I look back, navigating the puddles in the street. It does not make any sense.

N is with V, making their way home. I meet them, pulling V into my arms as she chatters about her day, about dry leaves and princesses, about her grandmother's apartment and what she ate there. We are going back home, and I try to explain the odd collection that stands outside. As we pass th…

Rocco (please take a moment to vote for us before midnight Oct 22)

A few weeks ago I saw an invitation from Daniel Lanois, asking for filmmakers to create imagery for a handful of his newest songs. The films would be projected during live performances all over the world.

I chose the song Rocco, because it felt like breathing to me, and the concept came quickly. Windows, E' s face...

Today I was told that our film is one of the four selected by the judges, and they are looking for the votes and opinions of everyday people like you to help them understand what film is the best one.

Please visit http://fleshandmachine.com and by all means vote for our film (if you do think it is the best one.)


Comments

Rubye Jack said…
Your's is easily the best.
But, your post just now came into my reader in Oregon USA and it is now too late to vote.

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