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there is always something (why I shoot film)

There are maybe ten shots left on the roll. Outside the metro, a collection of pigeons sit on minuscule ledges above two old men. They talk as all old men do, with operatic waves of their hands, sour expressions, belly laughs, eventually scratching their chins as they stare off at nothing in particular. I am pretending to take pictures of something near them, then swing across when they are not looking to shoot a few frames. At one point I surrender to the afternoon and move on.

And now, the courtyard that leads to the film lab. A great old building rests here, a school of architecture where students mill around dressed in black sucking on cigarettes with giant portfolios tucked under their arms. A young man approaches me. I am ready to tell him I have no idea what he is saying, but he wants to know where the film lab is. I jut my chin, telling him the door is just beyond a few bushes. He nods his thanks.

There are screens set up in a jagged line, sheathed in filthy white plastic to …

the piano's dream

The two butterflies came back for three more days, flitting through the balcony and circling around the bedroom just after lunch. On the fifth day, only one came and then not at all. Every afternoon after this, I would stand looking out at the busy street, the green water of the river, the stray dogs sleeping in the grass. No black orange wings. No sudden surprises. Just the city churning out smoke, the clouds hanging low, and a strange wind.

There is an odd luck that surfaces sometimes, when life bursts into the unexpected. The methodical waltz is suddenly a dizzy sock hop. Routine is replaced by interruption. The air electrified and we are no longer hungry or tired or thirsty. We are a private version of Richard Dreyfuss in Close Encounters, building mountains from mashed potatoes. The possibilities fan out in countless directions, and we grow drunk on them. And then, it all slides back. The snail in his shell. The socks in the drawers. The dishes are washed. Children are tucked into bed. Someone realizes we need toilet paper. The rent is due in a week. The waking sleep returns.

Being surrounded by waste, and what seems pointless is overwhelming. I pass a school for the deaf. The lawn is cut, even in the middle of summer. Maybe the deaf never stop learning here. On the side of the building, a series of pianos sweat under sheets of plastic. They are all broken, sagging into the soft earth, keys dangling, lids ripped off, stinking of mold and rotting wood. I have passed them hundreds of times since I noticed them last winter. Why are they still here ? Who broke all of them? What will happen to them? Will they just be gone one day when I expect to see them?

I am often accused of fixating on the worst here, of magnifying the bleak and ignoring the beauty. I want to defend myself, but my stomach slips into my throat and like it does in many dreams, my voice shrinks to the size of a pinhole.



Comments

My God! What an absolutely mesmerizing piece, M. Beautiful.
liv said…
You focus on what IS, what really IS and that reveals it's beauty.

I am drawn back here again and again because of your authenticity, an overused word, yes, but still applicable. You remain you, you don't try to groom yourself to fit or blend and the result is you are able to write a post like this about the bleaker and darker view and make it radiant.

What currently passes for individualism is often nothing more than chic conformity. It may feel sometimes like you're swimming upstream, Marco, but it works!

Like Brenda said - it was mesmerizing and beautiful. Thank you.
Omgrrrl said…
Even broken pianos have the potential of song.
city said…
thanks for sharing.

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